Since its release, it has been featured in several "best-of" film lists and maintained a following, particularly amid the COVID-19 pandemic in the 2020s. Despite Boyle not considering it a zombie film, 28 Days Later is credited with reinvigorating the zombie genre of horror film and influencing a revival in the decade after its release, with its fast-running infected and character-driven drama. Reviewers praised Boyle's direction, the cast's performances, Garland's screenplay, the atmosphere and soundtrack. Grossing more than $82.7 million worldwide on its modest budget of $8 million, it became one of the most profitable horror films of 2002. John Murphy composed an original soundtrack for the film, with other instrumental songs by Brian Eno, Godspeed You! Black Emperor and other artists also being featured.ΔΆ8 Days Later was released on 1 November 2002 to critical acclaim and financial success. The crew filmed for brief periods during early mornings and temporarily closed streets to capture recognisable and typically busy areas when they were deserted. Filming took place in various locations in the United Kingdom in 2001. Romero's Night of the Living Dead film series and John Wyndham's 1951 novel The Day of the Triffids for the film's post-apocalyptic story. Naomie Harris, Christopher Eccleston, Megan Burns, and Brendan Gleeson appear in supporting roles. ![]() It stars Cillian Murphy as a bicycle courier who awakens from a coma to discover the accidental release of a highly contagious, aggression-inducing virus has caused the breakdown of society. The film itself is excellent, there are no issue with audio or video, and a humble assortment of extras make this a very recommended viewing.28 Days Later is a 2002 British post-apocalyptic horror film directed by Danny Boyle and written by Alex Garland. Overall, while these are not exactly features to knock your socks off, they still give us a solid look at the making of the film and make the release more worthwhile. Deleted scenes and a directors commentary round out the disk, in addition to trailers and what appears to be flash-animation adaptations of a comic book spin-off. While the behind-the-scenes footage is quite good, the interviews appear to be the press-kit style, though they manage to still get in some good info. Other featurettes highlight the action scenes, and perhaps the best one is a very amusing look at the extras and performers who portrayed the infected. There is a standard making-of that offers some nice behind-the-scenes footage, but it is unfortunately short. It does, however, pack quite a bit of features into its space. The Extras: 28 WEEKS LATER comes presented on a single disk and thus is not a special edition. Sometimes I thought a detected a bit of muddiness but this I think is more of a mixing thing rather than the audio transfer, and may be an intentional aesthetic. The Audio: Again, generally good but nothing especially remarkable. ![]() ![]() Generally the video quality is good but nothing too remarkable. Much of the compound scenes are on 35mm and look much slicker, though I did notice a few instance in the action scenes of very mild compression artifacting. ![]() Much of the attack scenes are shot in 16mm to give an intentionally grainy, rougher look that is effective and captured well on the video transfer. The Video: Foregoing the blurry mini-DV cinematography of the original, 28 WEEKS LATER is shot on a variety of formats that makes it difficult to gauge what is due to source quality and what is due to video transfer.
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